Biography
黒瀧藍玖
2000年生まれ。
東京、神奈川拠点。
アンティーク家具の修復家・彫刻家を父に、料理家、アーティストの母を持ち
幼少期から物作りに興味を持ち始める。両親が英国に長期に渡り住んでいた事の
影響からイギリス・ヨーロッパのカルチャー、ライフスタイルに大きく影響を受ける。
東京造形大学にてテキスタイルデザインを専攻しながら現代アートとしての
テキスタイルアート、ファイバーアート等の表現法を研究した。
2020年イギリス、ブリストルへ交換留学生として渡英。
2022年8月から半年に渡りヨーロッパを放浪する。
約10の都市を巡り、様々な文化やアート、音楽、言語や思想に触れながら現地での生活を送る。
現在はアーティストとして、『人間とは何か』、『０と1の関係性』、『ミクロとマクロ』を
研究テーマにソフトスカルプチャーを中心に自身の作品制作にも重きを置いて活動している。
その傍らドローイング、タトゥー、Dj、デザイン、アートワークの提供など
多様なメディアとの行き来をしながら独自の手法で作品を制作する。
主なグループ展として、「JUMP AROUND」Gallery Conceal Shibuya(東京、2020年)、
「LOOKS」America-Bashi Gallery(東京、2019年)等に参加。
2024年4月にはギャラリーでは初の個展をSOM Galleryにて開催した。
Statement
東京造形大学にてテキスタイルを学んだ黒瀧は、繊維が交差することで
立体的な構造が生まれる織物の造形に着眼し、その特徴を利用した立体作品を制作します。
繊維の交わりによる立体的な構造の作品は、黒瀧の視点から想起される世界観であり、
繊維の交わりによる立体的な構造の作品は、黒瀧の視点から想起される世界観であり、
最小視点と最大視点の解像度の場合でも、結論のところ存在の有無に帰結し、
ゼロイチ（01）の運動へと展開することができます。また、視点の解像度を下げることで、
物質構造の最小単位である「素粒子」が「ひも（弦）」からできているという考えに至ります。
黒瀧は、この考え方と、経糸と緯糸の交差の組み合わせを表した織りの
黒瀧は、この考え方と、経糸と緯糸の交差の組み合わせを表した織りの
組織図が「0」と「1」の情報をもとにしていることを用いて、単純な立体を作ることに挑戦します。
経糸と緯糸で構成される単純な立体は、フレームの中に人間を表現した立体作品は、
脳や身体が生み出すパターンに囚われた存在としての人間を浮き彫りにし、
内と外の境界を敷くことで物事を認識している人間の視点を喚起させます。
黒瀧の作品は、構造的な立体美だけでなく、一定のアルゴリズムに
黒瀧の作品は、構造的な立体美だけでなく、一定のアルゴリズムに
囚われた視点から我々を解放し、より俯瞰した視点から見つめる世界の入り口へと
人々を誘うのかもしれません。
学歴
2022年東京造形大学デザイン学科テキスタイルデザイン専攻卒業
2020年年始からイギリス・ブリストル University of the West of
England : Bristol ファッションテキスタイル科へ交換留学のため渡航
English
Aiku Kurotaki
Artist, Textile designer, DJ
Born in 2000.
Based in Tokyo and Kanagawa
With a father who is an antique furniture restorer and sculptor and a mother who is a cook and artist, she became interested in making things from an early age. Him parents lived in the UK for a long time and he was greatly influenced by British and European culture and lifestyles.
Studied textile design at Tokyo Zokei University, where he also studied textile art and sculpture as contemporary art forms.
Studied textile design at Tokyo Zokei University, where he also studied textile art and sculpture as contemporary art forms.
In 2020, he went to Bristol, UK, as an exchange student.
After graduation, he will start his European journey in August 2022. He travelled to about 10 cities, including Paris, London, Amsterdam, Berlin, Kassel, Barcelona, Bilbao, Manchester and Brighton, and spent his life there, experiencing various cultures, art, music, languages and ideas.
After returning to Japan at the beginning of 2011, he now continues to create and transmit his work in various media, from textile design, graphic design and mixed media art to lifestyle, based on the concept of "why and why not", after his experience of living in Europe.
After graduation, he will start his European journey in August 2022. He travelled to about 10 cities, including Paris, London, Amsterdam, Berlin, Kassel, Barcelona, Bilbao, Manchester and Brighton, and spent his life there, experiencing various cultures, art, music, languages and ideas.
After returning to Japan at the beginning of 2011, he now continues to create and transmit his work in various media, from textile design, graphic design and mixed media art to lifestyle, based on the concept of "why and why not", after his experience of living in Europe.
In 2023, he will have been active as a DJ for four years, and has played at clubs such as Contact Tokyo and Vision, and as a lounge DJ at live shows. He creates sound worlds in a wide range of genres, from jazz, fusion, soul and funk instrumentals to ambient, deep house, techno, UK bass and other dance music.
In the winter of 2022, he performed his first overseas dj in London, UK (Sunny in Cloud Vol 1) and his first radio show on Rainy City Radio (Manchester).
In the winter of 2022, he performed his first overseas dj in London, UK (Sunny in Cloud Vol 1) and his first radio show on Rainy City Radio (Manchester).
Statement
Aiku Kurotaki studied textiles at Tokyo Zokei University.
He focuses on the textile form, in which a three-dimensional structure is created by intersecting fibres, and creates three-dimensional works that make use of this feature.
He focuses on the textile form, in which a three-dimensional structure is created by intersecting fibres, and creates three-dimensional works that make use of this feature.
The works with three-dimensional structures created by the intersection of fibres are a view of the world as conceived from Kurotaki's point of view,
Even in the case of the resolution of the minimum and maximum viewpoints, it comes down to the presence or absence of existence at the conclusion,
to the movement of zero one (01). Also, by reducing the resolution of the viewpoints,
The idea that ‘elementary particles’, the smallest unit of material structure, are made up of strings (strings).
Even in the case of the resolution of the minimum and maximum viewpoints, it comes down to the presence or absence of existence at the conclusion,
to the movement of zero one (01). Also, by reducing the resolution of the viewpoints,
The idea that ‘elementary particles’, the smallest unit of material structure, are made up of strings (strings).
Kurotaki has developed this idea and the weave, which represents the combination of warp and weft thread intersections, into a weave.
Kurotaki challenges the creation of a simple three-dimensional object using this idea and the fact that the structure chart of the weave, which shows the combination of warp and weft thread intersections, is based on the information of ‘0’ and ‘1’.
Kurotaki challenges the creation of a simple three-dimensional object using this idea and the fact that the structure chart of the weave, which shows the combination of warp and weft thread intersections, is based on the information of ‘0’ and ‘1’.
A simple three-dimensional object composed of warp and weft yarns is a three-dimensional work that represents a human being in a frame,
highlights the human being as an existence trapped in the patterns created by the brain and body,
They evoke the perspective of humans perceiving things by laying down boundaries between the inside and the outside.
Kurotaki's work is not only a structural three-dimensional beauty, but also a constant algorithm.
liberating us from the perspective of being trapped by a fixed algorithm, and to the entrance to a world gazing from a more bird's eye view.
It may invite people to enter the world from a more bird's eye view.
liberating us from the perspective of being trapped by a fixed algorithm, and to the entrance to a world gazing from a more bird's eye view.
It may invite people to enter the world from a more bird's eye view.
Education
2018 - 2022 Tokyo Zokei Art and Design University, Tokyo, Japan
Textile Design Course
2020 - 2020 (Study Abroad) University of the West of England, Bristol, UK
Fashion Textile Course
2015 - 2018 Wako High School, Tokyo, Japan
Exhibition
2024 Art Osaka Group Exhibition
2024 Aiku Kurotaki Solo Exhibition at SOM Gallery
2022 Tokyo Zokei University Graduation Work Exhibition at Spiral, Tokyo
2021 Cube in Cube Group Show, Why Not Gallery Yutenji, Tokyo
2021 Aiku Kurotaki SOLO EXHIBITION at Nakameguro Lounge, Nakameguro, Tokyo
2020 Group Art Exhibition “JUMP AROUND” at Gallery Conceal Shibuya, Tokyo
2020 Group Art Exhibition Organized by MARI at Contact Tokyo Shibuya, Tokyo
2019 Group Art Exhibition “LOOKS” at America-Bashi Gallery, Ebisu, Tokyo
2019 Group Art Exhibition “DON’T DRINK THE COOL AID” at Jikkei Art Gallery, Shibuya, Tokyo
2019 Group Art Exhibition “ABDUCTION” at Pells Coffee Shibuya, Tokyo
2018 Group Art Exhibition “MIME” at Tokyo Zokei University, Tokyo
2018 Autumn Fashion Show at Tokyo Zokei University, Tokyo
Artist goods, Imported goods
Link Bellow
https://superbalance-sense.stores.jp